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List Price: $7.99 Our Price: $4.83 You Save: -$3.16 (40%)Prices subject to change. Availability: Usually ships in 24 hours
Brand: Everlast Color: Black EAN: 0009283244552 Label: Everlast Manufacturer: Everlast Model: 4455BP Publisher: Everlast Release Date: 2005-01-06 Studio: Everlast Variation Description: black Editorial Review: About Everlast The name Everlast is synonymous with boxing. Renown internationally as a manufacturer of boxing equipment, Everlast started out as a swimwear manufacturer in 1910. Headquartered in the Bronx, NY, the company was founded by 17-year-old Jacob Golomb. The son of a tailor and an avid swimmer, Jacob Golomb was dissatisfied with the durability of swimsuits because they barely lasted a season, so he began making suits that he guaranteed would last for a full year. He proudly gave them the name, Everlast. Although the swimsuits did not last through the years, the name did. Over the next years, Golomb expanded his company into a small retail store that carried a full line of sports equipment. In 1917, a young fighter named Jack Dempsey introduced boxing to Golomb and Everlast. Dempsey asked Golomb to construct protective headgear that would last more than 15 rounds of intensive boxing training. Golomb specially designed the training gear for Dempsey. In 1919, Dempsey won the world’s heavyweight championship wearing boxing gloves made for him by Golomb. Everlast became the headquarters for boxing equipment throughout the world. In 1925, Golomb designed elastic-waist trunks to replace the leather-belted trunks then worn by boxers. These trunks, now known as boxer trunks, immediately became famous. Jacob Golomb ran the business until he passed away in the early 1950’s and his son, Dan, took over. In 1958, Ben Nadorf joined Everlast and purchased 50% of the company from the Golomb family. When Dan Golomb passed away in 1995, Nadorf purchased the family’s remaining 50% interest. Nadorf remained the President and Principle Share Holder of Everlast until October 24, 2000. Everlast men’s and women’s apparel and accessories continue today to be tremendously successful both inside and outside the ring. In addition, Everlast boxing trunks and equipment remain the proud and undefeated champion of the boxing industry for more than 90 years. The history continues, as the name states. Everlast has a traditional past and a knockout future. What’s in the Box? One pair of hand wraps Manufacturer Warranty 1 year Features:
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Ted Shelton: "Frankly I felt that BlogOn was a waste of time and money."
I think the BlogOn conference was overproduced. In the name of professionalism the organizing firm turned off potential speakers, oversubscribed sponsors, etc.
I would have liked a debatable topic (aside from *blogging = journalism*. Two people slugging it out. Or a devil's advocate taking challenges from the floor.
I would have liked more hard numbers. Facts. Charts. Diagrams. We have the analytic tools to BS-check them; harder on vague opinions and single-points-of-observation.
I found it disturbing how much money was being commanded (from both attendees and sponsors) for a conference at a university. Maybe it was because it was at Berkeley? Maybe we should have taken over a community college or a Cal State or a DeVry. The facilities costs would have been cheaper at least. I heard an organizer apologize and say the next one would be at a hotel, like that would have been better.
Cost wasn't the whole problem. We're at a stage where early adopters are meeting folks who want to leap the chasm. Huge gaps in knowledge, experience, context, culture, vocabulary. It's the gap.
There are huge ideas to be explored, even in the world of applying blogs to media strategy and the enterprise. And most of the big ideas weren't even on the agenda at BlogOn. Probably because it was catering to those who want to commercialize, fund, and otherwise exploit (excuse me, "get in on") the emerging medium.
Let's fork these conferences so advanced topics on business and technology and culture fit the participants.
In a dusty supply closet at 1 Times Square, a computer terminal hooked up to hordes of ethernet servers, RAID arrays and monitors humbly runs the largest LED sign in the world. The sign, a 3-sided, 17,000-square-foot Goliath, debuted last night at the opening of a Walgreens in New York City. Today, I got to see what makes it tick.
Each side of the sign, designed by D3 LED, requires a 48-drive RAID pumping data at a rate of 3.2GB/second to a custom-built PC. From there, the data is fed through graphics cards to multiple DVI pipes, which lead to six DVI pixel splitters (known as a Spyders). The splitters take video data of a specific resolution and upscale it to the size needed for the display. Once the data is crunched and formatted for the sign, it's sent out via 4Gbps ethernet to one of more than 12,000 display modules that make up the ginormous billboard.
Each module is a mini-computer, complete with MAC address, redundant 4-gigabit ethernet ports, power supply and a fan. Each panel can report all kinds of vital statistics, including its temperature. If there's a problem, the panel reports itself to the main computer for easy troubleshooting. (Like a good communist, it can report problems with its neighbors, too.) The majority of the electronics are accessible from inside, so dangerous repair jobs on scaffolding suspended over Times Square are a thing of the past.
The sign's modules are split into three sections, low-, medium- and high-resolution grids based on their distance from the street. (Why waste pixels for objects way high up?) The top, as you probably guessed, has the largest pixels, at 24mm, while the middle has 12mm and the bottom has 10mm.
The animators are faced with a tough challenge when creating content for the signs, as they must keep the different display sizes in mind so the animation appears cohesive throughout the sections. To help out the animators, sign creator D3 LED made a virtual copy of it that is 10,000 pixels high by 4,000 pixels wide, the equivalent of 43 megapixels. (It's 20 times the resolution of HD, too.) They use an Adobe After Effects template to help coordinate placement of the animations on the slash-shaped sign.
As previously reported, a single 30-second spot on the billboard requires a staggering 150GB of data transferred through the system. But before you accuse D3 and Walgreens of hogging all of the power in New York, they attest that they are not. With the Con Ed bill in mind, their design reduced unnecessary copper wiring by over 300,000 feet and increased the voltage for more efficient power. They also set up an auto-dimmer (like you might have on your laptop) that adjusts the luminosity of the LEDs based on the ambient light outside. All of this makes it not necessarily cheap but at least cheaper than you'd think to operate.
The Walgreens sign is a complex, fascinating testament to the sheer power of LED displays. While most people living in New York avoid Times Square exactly because of things like this, tourists will undoubtedly flock to the center to observe the sign up close, even though it can be seen from as far away as Bryant Park and the Port Authority. For now, it's something that even this semi-jaded NYC resident can appreciate. [Walgreens Sign on Giz]